The Best Places to Hobnob with Broadway Stars

Everyone knows the stars come out at night. But where do they go after the curtain comes down? Here are 5 places where you can mingle with your favorite actors as they unwind from their 8 performances a week.

Sardi’s: 234 West 44th St.

The quintessential theatre hangout, Sardi’s has been the toast of Broadway for 90 years. Founded by “Vincent” Sardi, Sr. and his wife Jenny in 1947, it continues to provide a neighborhood oasis for those in the theatrical community. The restaurant is distinctive for two reasons: it’s the birthplace of the Tony Award (theatrical producer and director Brock Pemberton came up with the idea while eating lunch at Sardi’s) and for its extensive collection of original caricatures of Broadway luminaries. Like many of the theatres in the neighborhood, Sardi’s goes dark on Mondays.


Joe Allen: 326 W. 46th St.

While Broadway folk love Joe Allen’s delicious bistro-type delicacies (try the burger or Caesar salad), not one of them wants to see their show’s poster anywhere on the premises. Here’s why: In 1965, soon after Joe Allen opened the restaurant that bears his name, the cast of the show Kelly presented him with their show’s poster. Kelly closed after just one performance—and since then it has been a Broadway tradition for Broadway’s famous and infamous flops to adorn its walls.


Schnippers Quality Kitchen: 620 8th Avenue (40th/41st)

Because of its location and quality fast-ish food menu, Schnippers is the perfect place for a working actor to grab a bite between or after shows. There’s something for everyone—salads and veggie burgers for the ingénue who’s watching her weight; sloppy joes and mac ‘n cheese for the stage crew. And with Aladdin and The Cherry Orchard playing just around the corner, you just might run into the Genie or Joel Grey.


Schmackary’s: 362 W. 45th St.

Billing itself as “Generation Y’s answer to the old American bake shop,” this Hell’s Kitchen outpost of all that is sinfully sweet and gooey became an instant Broadway favorite when Zachary “Schmackary” Schmahl first opened his storefront in 2012. You never know who you might see at one of the tables or even behind the counter—Tony winners have worked the counter as part of an ongoing fundraising effort for Broadway Cares/Equity Fights AIDS. Broadway darling Kristin Chenowith is a fan of Schmackary’s “funfetti” cookies and Schmackary’s delish delights can often be found backstage or in performers’ dressing rooms.


Drama Book Shop: 250 W. 40th St.

If it’s printed material relating to the theatre—librettos, scripts, textbooks, criticism, etc.—you’ll find it in this 100-year-old theatre district treasure trove. Here’s what Tony winner Lin Manuel Miranda has to say about it: “The Drama Book Shop is our greatest resource—it’s been here since 1918 [and] I wrote most of In The Heights in the basement.” When the shop suffered extreme water damage due to a burst pipe earlier this year, Miranda launched the hashtag #BuyABook, raising the shop’s profile and revenue enough to allow it to weather the storm.

Drama Book Shop.jpg


Broadway Musical Recommendations Tailored Just for YOU

Broadway Musicals 2015

Wondering what show you should see tonight (or next week)? Here’s Shari on the Aisle’s guide to help you decide which Broadway musical(s) to see right now, based on your personal preferences. Read the “YOU” descriptions below, choose the one that best represents you, then go see a show!

Keep in mind: this list is far from exhaustive. With the Broadway Spring season well under way, there are abundant choices for both the occasional and frequent theatregoer. The following suggestions are culled from some of the newest shows. You should also consider productions that have been around for a while—those oldies but goodies like “Matilda,” “A Gentleman’s Guide to Love and Murder,” “Aladdin,” and “Kinky Boots.” (Also keep in mind that Shari on the Aisle hasn’t yet seen all of the new shows, including “Finding Neverland” and “An American in Paris.”

(Stay tuned: I will provide personalized play recommendations in my next post).

YOU: “I want to see a show that has me whistling a happy tune when I leave the theatre.”
GO SEE: Rodgers & Hammerstein’s “The King and I” (Lincoln Center Theatre at the Vivian Beaumont). Nobody does musicals better than Rodgers & Hammerstein—or Lincoln Center Theatre. Under the sure direction of Bartlett Sher, LCT knows how to put on a classy, glossy, top notch show. While “The King and I” isn’t on a par with say, Rodgers & Hammerstein’s “South Pacific” (Lincoln Center presented that show, also directed by Mr. Sher and also starring the ebullient Kelli O’Hara, a few years ago and it was sheer perfection), you’ll happily hum along with “I Whistle a Happy Tune,” “Getting to Know You,” and “Shall We Dance.” This production is big and gorgeous. Sure, the book is a bit weak and Ken Watanabe’s accent renders some of the dialogue and lyrics indecipherable. But Ms. O’Hara’s glorious voice and radiant presence, along with the sumptuous costumes and stunning sets, more than make up for these shortcomings. And yes, you will leave the theatre whistling a happy tune and with a song in your heart.

King and I

YOU: I’d rather see a dark, thought-provoking show than a cute piece of fluff. (And I’d make a mad dash to see anything starring the legendary Chita Rivera).
GO SEE: “The Visit” (Lyceum Theatre). A musical that explores the darkness of men’s souls? Yes, and it’s terrific. “The Visit” is a work created by theatre royalty. It’s the last collaboration of John Kander and Fred Ebb, the musical geniuses behind “Cabaret,” “Kiss of the Spider Woman,” and many other award-winning shows. The book is by Theater Hall of Famer Terrence McNally. And Chita? She’s a national treasure. The plot centers on Claire Zachanassian, the richest woman in the world, and her return to the small town where she spent a miserable childhood. The town has fallen on hard times, and the villagers who once taunted and reviled her believe she has come back to save them. Claire offers to do just that, but with a chilling twist. At 90 minutes with no intermission, “The Visit” is riveting, intelligent theatre. Some of the songs are reminiscent of “Cabaret,” but there’s nothing wrong with that. And Chita’s haunting performance of “Love and Love Alone,” sung while performing a pas de deux with her younger self (Michelle Veintimilla) is well worth the price of admission. You won’t leave this show humming a happy tune, but rather with the satisfying feeling of having experienced brilliance live on stage.
Watch a video from the show.

YOU: “I want to see something that will tickle my funny bone—the sillier the better.”
GO SEE: “Something Rotten” (St. James Theatre, in previews; opening April 22). Did you love “The Book of Mormon” and “Spamalot?” This original new show, directed and choreographed by Casey Nicholaw (“Book of Mormon”) stars Brian d’Arcy James (“Next to Normal,” “Shrek the Musical”) and Christian Borle (Tony-award winner, “Peter and the Starcatcher,” TV’s “Smash”) as rival playwrights Nick Bottom and William Shakespeare. Shakespeare is the 1590’s equivalent of a rock star, and Nick and his younger brother Nigel are desperate to come up with a strategy to compete. They turn to soothsayer Nostradamus (a show-stopping Brad Oscar) who encourages them to create the very first musical: “Oohs, aahs, big applause, and a standing ovation. The future is bright, if you can just write a musical!” The first three musical numbers in the show—“Welcome to the Renaissance,” “God, I Hate Shakespeare,” and “A Musical”—are absolutely hysterical, brilliant crowd pleasers. While nothing in Act 2 equals the perfection of those first few songs—and the preview performance I saw went on a bit too long—this show is tons of fun and will be a huge hit. So go back in time around 400 years or so to the Renaissance, “Where everything is new.” You’re guaranteed to have a great time.
Watch a video from the show.

YOU: “I want to see an old-fashioned, beautiful, romantic show.” OR: “I have a tweenage daughter who geeks out over “High School Musical.’”
GO SEE: “Gigi” (Neil Simon Theatre). You’re probably familiar with the Oscar-winning1958 film version of “Gigi” starring Leslie Caron, Maurice Chevalier, and Louis Jordan. This “re-launched” (according to the Playbill) Broadway version stars Vanessa Hudgens, the talented young star of Disney’s “High School Musical” films, along with an excellent cast of Broadway veterans (Tony-award winner Victoria Clark, Tony nominees Dee Hoty and Howard McGillin). The new “Gigi” has been sanitized to make it more “G-rated” than the film. For example, the famous song “Thank Heaven for Little Girls,” sung by the Chevalier’s aging roué character in the film, is now sung by two women, Gigi’s grandmother and her aunt. And the fact that 15-year-old Gigi (now 18 in the Broadway musical) is being groomed to be a courtesan is never discussed. So no worries, parents: you can feel at ease taking your impressionable tweens and teens to this charming show. Musical highlights include the exuberant Act 1 closing number, “The Night They Invented Champagne” and the tender title song, wistfully sung by Corey Cott, the former “Newsies” star. The costumes and sets are lovely and Hudgens, who has been a performer since the age of 8, is delightful. At the preview performance I attended, teenage girls in the audience repeatedly shrieked with joy (and not just over Hudgens). Adults who like their musicals squeaky clean and romantic will also enjoy this 2-1/2 hour escape to a somewhat mythical La Belle Epoque, where Ms. Hudgens sparkles like the bubbles in a glass of champagne.


For ticket information, see the shows’ websites as listed above, or visit:

TDF Discount Theatre Booths

Broadway Helper


Billy MagnussenSecond Stage, Kiser Theatre, 305 W. 43rd St.

How far would you go to achieve success?

Lead Cast: Anna Gunn (Olivia), Billy Magnussen (Ethan)

In a Nutshell: Can anyone truly know another person? That’s the key issue in this excellent two-hander by playwright Laura Eason. In fact, the play’s first line is, “Who are you?” While the characters’ initial encounter does lead to the activity described in the play’s title, even after they develop a relationship, they essentially remain strangers.

What’s It All About? Olivia and Ethan are both writers. She is a serious author who is still nursing the wounds from her failed novel years before. As she nears 40, Olivia continues to write, but remains paralyzed by her fear of rejection. She shows her work to no one and has taken a job teaching. In contrast, Ethan, around 10 years her junior, is a confident, charming Internet/social media savvy guy whose crass “Sex with Strangers” series of books (based on his true life exploits of bedding a different woman every day for a year) are wildly successful. He has thousands of Twitter followers and has signed a lucrative movie deal based on his work.

The two strangers meet at a bed and breakfast in rural Michigan where she has holed up to write. He arrives, also to write, during a snowstorm. Conveniently, the owner is away and there are no other guests. Although Ethan’s character is a self-described “a-hole,” it soon becomes evident that there is a lot more to this handsome dude-type guy than either Olivia or the audience suspects. It turns out they have a friend in common, a Pulitzer-winning author who has sent Ethan to the inn so that he can finish his screenplay. We discover that Ethan is a lot smarter than his “Sex with Strangers” persona. He has read Olivia’s book and encourages her not to give up. He also shares that he has ambitions to move beyond his pop culture success and to be accepted as a legitimate author.

Food for Thought: In addition to the theme of the basic unknowability of another person, Sex with Strangers explores the often blurry line between accepting another person’s help and exploiting that person for one’s own benefit. Because of his contacts and knowledge of social media, Ethan has the ability to expose Olivia’s work to a huge new audience. He convinces her to put her failed novel on the Internet under a pseudonym. He also reads her new work (defying her wishes) and sets her up with his agent. Much to her surprise, Olivia finds herself, at 40, winning the critical acclaim and success that has eluded her in the past. Ethan asks her to turn down a book deal with a venerable publishing house and to instead let him digitally publish her work on his new website to help him establish a reputation apart from his bad boy success. After all, doesn’t she owe him? If not for him, she would still be toiling away in obscurity.

The situation reminds me of the Jack White song “Icky Thump,” which asks: “Who’s using who? What should we do? Well you can’t be a pimp and a prostitute too.” Just who is using who? I won’t give away more of the plot. Let’s just say that the characters are complex and do not act in stock, expected ways. You and your theatre-going companion(s) can ponder the question over an after theatre cocktail.

The Performances: Both actors are excellent and do a terrific job portraying the complexities of their characters and landing the playwright’s comic and dramatic scenes. Fans of the hit TV show “Breaking Bad” will recognize Anna Gunn from her Emmy-winning role as Walter White’s wife Skyler. Theatre fans know Billy Magnussen from his hilarious, Tony-nominated turn as the boy toy Spike in 2013’s Vanya and Sonia and Masha and Spike. Magnussen turns in an especially fine performance here, masterfully showing us the sensitive, intelligent man underneath the swagger and 6-pack abs. And Gunn, so downtrodden and guarded when we initially meet her character, skillfully shows Olivia’s evolution into the ambitious, confident writer she always dreamed of becoming.

Should You Go? Yes, but don’t wait too long: as of this writing, the show runs only through August 31. Also keep in mind, this show is strictly for adults. (After all, the word “sex” is in the title). If you are at all prudish about watching simulated (though not explicit) sex on stage, choose another show.

More About the Cast and Director: Look for Gunn this coming fall starring as Ellie Miller in the series “Gracepoint” on Fox. Magnussen just wrapped the film version of “Into the Woods,” starring as Rapunzel’s Prince, due out this Christmas. TV watchers will recognize director David Schwimmer’s name: although he is best known for his Emmy-nominated turn as Ross on the hit show “Friends,” he also boasts an impressive résumé as a theatre actor and director.

Ticket Info: Theatre lovers under 30 can take advantage of 2nd Stage’s “30 Under 30” program by purchasing $30 tix at the theatre. ID is required. For the rest of us, discount tickets (50% off) are available at the TKTS Times Square ticket booth.


Shari Rocky

Winter Garden Theatre, March 7, 2014

Shari on the Aisle Rating: ****

Director:  Alex Timbers

Book: Thomas Meehan & Sylvester Stallone

Music & Lyrics: Stephen Flaherty & Lynn Ahrens

Lead Cast:  Andy Karl (Rocky), Terence Archie (Apollo Creed), Margo Seibert (Adrian), Danny Mastrogiorgio (Paulie), Dakin Matthews (Mickey), Jennifer Mudge (Gloria)

Background: The Place: Philadelphia. The Time: 1975. You already know the story. Rocky Balboa is a big-hearted, two-bit fighter who can’t quite be described as over the hill—because he’s never made it up the hill. Rocky can’t get no respect: the other fighters at the gym mock him, the gym owner gives his locker to a younger, more promising fighter, and the girl of his dreams, Adrian, won’t give him a tumble. The only good news? As Rocky sings at the beginning of Act 1: “My Nose Ain’t Broken.” (This will no longer be true by the final curtain, but better to have your nose broken than your spirit). Then, fate hands him an opportunity to take on the heavy weight champion of the world, Apollo Creed.

Rocky the musical is of course based on Sylvester Stallone’s multiple Academy Award-winning (including Best Picture) 1976 film. The entire production team is made up of top notch theatre folk. 35-year-old Alex Timbers is a two-time Tony-nominated director and writer best known for the critically acclaimed Bloody Bloody Andrew Jackson and Peter and the Starcatcher. Lynn Ahrens and Stephen Flaherty won every top award for Ragtime. Their other credits include Once on This Island, My Favorite Year, and the animated film Anastasia (Academy Award and Golden Globe nominations). And let’s not forget Stallone himself, the original Rocky, who against all odds, convinced Hollywood to take a chance on an unknown writer and actor. By getting the film made he personified the movie’s tagline: “His whole life was a million-to-one shot.” (The musical’s tag line is “Love Wins”).

In a Nutshell: The last line of the show is “I love you, Rocky.” That’s exactly what audiences are going to say about this talent-filled, well produced spectacle of a musical. I predict it’s going to be HUGE. I hope Andy Karl is ready for his close up.

Why Rocky Will Be a Hit: Because the show is based on such a popular film (albeit it one made nearly 40 years ago), Rocky the musical has a built-in fan base—people who love the film, love Stallone, and/or love boxing. The thinking was probably, if you produce it, they will come. But as we’ve seen recently with the struggling Broadway musical Bridges of Madison County, that’s not enough to fill a theatre. What does Rocky have in addition to the popularity of its source material? One word: spectacle. Sure, the show has some touching songs delivered by a talented, winning cast. But the final 30 minutes—the epic fight between Apollo Creed, the heavy weight champion of the world, and local boy Rocky—is so brilliantly staged, so exciting, so audience involving, that it’s impossible not to be entirely captivated, moved, and swept away by it.

The Spectacle: Just before the fight begins, everyone seated in the first seven rows of the center orchestra section (the “Golden Circle” seats) gets up, climbs some stairs to the stage, and sits on upstage bleachers. Once they’re settled, the entire boxing ring set moves outward, into the audience, covering those vacated rows of seats. A circular set piece of monitors comes down from the ceiling over the ring. Other giant monitors display the announcers’ play-by-play. Rocky runs down the aisle of the Winter Garden and into the ring, followed by Apollo and his 70’s flash-tacular entourage. For 20 minutes you feel as though you are actually at the Philadelphia Spectrum, sitting ringside, watching the fight of the century. It is thrilling, brilliant theatre.

In Addition: I realize I haven’t said much about the cast or the individual songs. There are some lovely moments—Rocky and Adrian, finally together, decorate a Christmas tree and sing a beautiful duet, “Happiness.” Adrian finally stands up to her bullying brother Paulie in the strong “I’m Done.” There’s Rocky’s inspirational “Keep on Standing.” All of the leads are fine. The fight choreography by Steven Hoggett is amazing. But it’s Alex Timbers’ creative staging of the final showdown that everyone will be talking about.

Ticket Tips: As of this writing (I saw a preview a week before opening night), discounted tickets are available on both TDF, the Times Sq. TKTS booth, and other outlets including There is a lottery for each performance (beginning 2 hours before curtain and ending 1.5 hours before curtain) for 20 tickets in the first two rows of the orchestra (in the Golden Circle section). If you’re buying full price tickets I would recommend choosing the center orchestra section behind the Golden Circle section (so, beyond Row F). I was in Row K and I felt like I had the best seat in the house for the fight. Be aware that people in the first rows in the side sections of the orchestra have to stand during the fight sequence, as the action is taking place to their left or right. I’ve heard that the Golden Circle ticket holders can’t see that well once they’re seated on the stage.

If you want to meet & greet the cast, the stage door is behind the theatre, over on 7th Avenue.

Show website

Little Miss Sunshine


Second Stage Theatre, 12-10-13

This high-quality new production is a quirky musical based on the quirky 2006 hit film written by Michael Arndt.

Director and Book: James Lapine

Music and Lyrics: William Finn

Lead Cast: Stephanie J. Block, Will Swenson, Rory O’Malley, David Rasche, Hannah Nordberg, Logan Rowland

Shari on the Aisle Rating: * * * *

Plot: When sweet Olive Hoover receives a last-minute invitation to compete in the Little Miss Sunshine pageant, her entire dysfunctional family piles into Grandpa’s old VW van to make the trip from Arizona to California. This isn’t your garden-variety dysfunctional family: Grandpa snorts coke, gay Uncle Frank just tried to off himself, brother Dwayne is obsessed with Nietzsche and hasn’t spoken for nearly three months, and not surprisingly, Mom and Dad’s marriage could self-destruct at any moment.

Will they arrive at the pageant in time? Will Dwayne speak again? Will Olive win? Can this family be saved? The answers to three of these four questions is “yes”. The show closely follows the film’s plot, so if you’ve seen it, you already know which is which.

Bottom Line: This is a top-drawer off-Broadway production, filled with Broadway stars: Block and Swenson have multiple Tony/Drama Desk/Drama League noms; theatre-geek favorite O’Malley was Tony-nominated for his unforgettable “Turn It Off” performance in The Book of Mormon; Rasche is a seasoned Broadway/TV/film pro. James Lapine’s (book and director) credits include The 25th Annual Putnam County Spelling Bee, March of the Falsettos and Falsettoland, Sunday in the Park with George, and many more. William Finn (music and lyrics) won two Tonys for Falsettos (Best Book of a Musical, with Lapine, and Best Original Score).

The opening number, “The Way of the World,” is basically an ode to failure. It’s funny and sad, and sets the tone for the rest of the 100-minute show. Everything about the production is top notch, much of it resting on the slender shoulders of nine-year-old Hannah Nordberg as Olive. (The bespectacled pint-sized actress wears some padding on her tummy and rear end for the role). She brings down the house when she shakes her “ba-donk-a-donk” in the Little Miss Sunshine talent competition. Nordberg’s Hannah is so exuberant, loving, sweet, and sincere that you root for her and her family to persevere and overcome their multiple issues.

Should You See It? Sorry, but it’s probably too late. Little Miss Sunshine is about to end its run at Second Stage. However, don’t despair. Given its illustrious pedigree and winning book and score, I wouldn’t be surprised if it turns up on Broadway. I hope it does, so that many more people will have an opportunity to cheer Olive and her ba-donk-a-donk. Stay tuned.

5 Reasons I Love Working in Times Square

  1. Shari Times Sq. ballThere’s No Business Like Show Business. You’ve gotta love a place where the Catholic Church is called “The Actors’ Chapel.” That’s St. Malachy’s on West 49th Street, between Broadway and 8th Avenue—right across the street from “The Book of Mormon.” But wait—that’s not even the best part. Every Wednesday at 1:45 p.m., just before matinee curtains rise throughout the neighborhood, St. Malachy’s church bells chime Irving Berlin’s “There’s No Business Like Show Business.” (With a reprise at 7:30 p.m. Wednesdays and Saturdays). It brings a smile to my face every time I hear it.

P.S.: Douglas Fairbanks married Joan Crawford at St. Malachy’s. And thousands of fans jammed West 49th Street to pay final tribute to Rudolph Valentino.

P.P.S.: Jews can visit The Actors’ Temple on West 47th Street, “A place where spirituality meets creativity,” according to their Website. Sophie Tucker and the two of the Three Stooges (Moe and Curly; Larry, where were you?) were once members.

2. The Theatuh, Dahling. This one’s obvious. According to The Broadway League, there are currently 40 operating Broadway theatres. That’s a lot to choose from. There are also plenty of terrific off-Broadway options in the area (Signature, Playwrights Horizons, Second Stage, the New Victory) to name a few. You can save money by visiting the TKTS Booth at 47th/Broadway, where you can purchase tickets to many productions at 20-50% off. You can also take advantage of theatres’ rush, standing room, and lottery policies to save even more money. Join hundreds of theatre lovers at the Book of Mormon or Matilda lotteries where you can put your name in a hat for a chance to buy mega cheap (around $27) front row or partial view seats. Your chances are slim (I once struck out 3 times in one day), but somebody’s got to win. (Learn more about these at

3. It’s the Crossroads of the World. OK, not everyone would agree, but I challenge anyone to sit at one of the sticky red tables in Duffy Square, surrounded by the flashing neon lights advertising Kinky Boots, Pippin, Phantom, Annie, Wicked, etc., and not feel a thrill. Look Downtown and see the actual tower where the ball drops every New Year’s Eve. Look Uptown and see tourists chilling on the cool new TKTS staircase. Listen and you’ll hear every language of the world. Once, I even saw Santa Claus enjoying some well-deserved R&R near McDonald’s. Who wouldn’t want to be here? And lucky me, I am.

P.S. Duffy Square is named for Father Francis P. Duffy, who served as pastor of Holy Cross Church on West 42nd Street until his death in 1932. A statue of him was erected that year and benevolently guards the North end of the Square, close by the TKTS booth.

Duffy Square

4. You Can Expect the Unexpected. A couple of weeks ago I headed up Broadway after work, enroute to City Center to see The Explorers’ Club. I got only a couple of blocks when I saw a scene that actually made me stop and pay attention—and that’s saying a lot. It was a group of naked people—men, women, old, young, fat, and thin—with intricately painted designs covering their bodies, including their most private parts. I had no idea what was going on. The people weren’t doing anything, just milling around. I later found out that they were the work of an artist, Andy Golub. But it was certainly unexpected, even in this neighborhood, where a man walks around with a cat on his head, a peevish Elmo may shove a small child, a Naked Cowboy poses for pictures, and Lena Dunham is shooting the upcoming season of “Girls.”

Santa Times Square

5. You Can Get It if You Want It. Whatever the season, you can buy what you need on the street—fake Pashminas in winter and fall, fake designer sunglasses in spring and summer. And a $5 alien head pattern scarf makes a fashion statement all year round. Hats, gloves, I Love NY sweatshirts, socks. You can put together an entire outfit, with a fake Coach handbag and $3 jewelry to accessorize. No excuse not to look sharp in this neighborhood!

JUST ONE MORE. I know I titled this post “5 Reasons I Love Working in Times Square,” but it’s hard to choose just 5. I would never forgive myself if I didn’t give a shout out to Engine Company 54 on 8th Avenue/48th Street. I love those guys for honoring their theatrical neighborhood every day. Their fire truck proudly boasts their motto: “Never Missed a Performance.” Truly, for everyone in Times Square, the show must go on.

Truck 54