QUICK TAKES: 4 SHOWS TO SEE RIGHT NOW

Every Brilliant Thing

Jonny Donahoe in Every Brilliant Thing

In my two most recent posts I’ve presented a sneak peak at some Broadway plays and musicals that are on the horizon. While we’re waiting for Spring to arrive—both inside and outside the theatre—here are four terrific plays, (2 on Broadway and 2 off Broadway) that are currently playing and are highly recommended. Go see them now, before they’re gone.

Every Brilliant Thing. Barrow Street Theatre, 27 Barrow St.

This is a show with a simple message: Life, despite its challenges and disappointments, is a beautiful thing, if you just take the time to notice the small joys all around you. British actor/writer/comedian Jonny Donahoe stars as a man who, as a young boy and continuing throughout his life, creates a list of “every brilliant thing” in the world to convince his suicidal mother to keep on living. Sounds depressing, right? It is anything but. The show is both inspiring and fun, as Donahoe (who also co-wrote with Duncan Macmillan) enlists the participation of the audience in enumerating life’s small pleasures. He hands out numbered slips of paper before the show begins, asking audience members to read each paper aloud when he mentions its number. For example: 1. Ice cream, 2. Water fights, 3. Things with stripes, 4. Christopher Walken’s voice. As the boy matures into a man, the brilliant things evolve into more adult choices: Starting a new book; Falling in love. At 65 minutes with no intermission, the show is a short, sweet, and thoroughly satisfying brilliant thing, well worth the trip down to Barrow Street.

Every Brilliant Thing continues through March 29.

Disgraced. Lyceum Theatre, 149 W. 45th St.

The mise en scene in Ayad Akhtar’s Pulitzer Prize-winning play is a familiar one: the dinner party. Amir, an up-and-coming attorney, and his artist wife Emily are hosts to Emily’s art dealer, Isaac and his wife Jory, a colleague at Amir’s law firm. They are of diverse ethnic backgrounds: Amir is a lapsed (some might say, self-loathing) Muslim, Isaac is Jewish, and Jory is African American. It’s been said that to keep the peace at social gatherings, two potential powder keg topics should be avoided: politics and religion. Unfortunately for Amir (but fortunately for the dramatic tension of the play), the play’s characters ignore that advice—and by the end of the evening, no one emerges unscathed. This is a thought-provoking, engaging evening at the theatre that will provide ample material for your own post-theatre dinner conversation.

Read the complete Shari on the Aisle review.

Disgraced continues through March 1.

The Curious Incident of the Dog in the Night-Time. Barrymore Theatre, 243 W. 47th St.

Olivier Award-winning British playwright Simon Stephens has adapted Mark Haddon’s best-selling novel about an autistic boy’s investigation into the murder of a neighborhood dog into an incredibly moving and dazzling work of theatre. What makes the play so remarkable is how, through innovative stagecraft that includes grid-like projections, lighting, and audio, we experience what it’s like to be Christopher, the play’s young protagonist. We feel the almost unbearable pain of sensory overload that afflicts an autistic child. The brilliant staging, along with a remarkable performance by Alex Sharp (a recent Julliard grad wowing audiences in his Broadway debut) in the lead role, creates a theatrical experience that is incredibly moving and unique. Sharp, along with the play, are sure to be on the list of 2014/15 Tony nominees.

Performances of The Curious Incident of the Dog in the Night-Time are ongoing.

Between Riverside and Crazy. Second Stage, Tony Kiser Theatre, 305 W. 43rd St.

On the surface, Stephen Adly Guirgis’s Between Riverside and Crazy looks like another play about a dysfunctional family. Pops (veteran actor Stephen McKinley Henderson) is a 60-something cop who was shot while off duty a few years back. A recent widower, he shares his rent controlled Riverside Drive apartment with an assortment of younger, troubled characters—all of whom call him Pops or Dad (whether related to him or not). His son Junior, fresh from jail, is selling hot merchandise out of his bedroom. Junior’s friend Oswaldo is struggling to stay clean. And Junior’s girlfriend announces she’s pregnant. Pops, who refuses to settle his lawsuit against the NYPD, may lose the apartment. But look beneath the surface, and nothing is as it seems. The ensemble, especially Henderson, does a fine job in this restaging of an Atlantic Theatre production.

Between Riverside and Crazy continues through March 22.

Curious Incident

With Curious Incident’s Alex Sharp

For ticket information on all of these shows, check out the show’s websites, playbill.com, TKTS, and Broadway Helper.com

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EXPLORING THE WORLD “OFF BROADWAY”

Off Broadway

They say the neon lights are bright on Broadway. But many Off Broadway shows are equally dazzling.

When you think of New York City theatre, most likely the first word that comes to mind is Broadway. And yes, with 40 theatres, the Big Apple’s Great White Way is justifiably regarded as the theatre capital of the world. But if you haven’t explored the exciting world of Off Broadway, you’re missing out on some terrific theatrical experiences.

What is the difference between “Broadway” and “Off Broadway?” The definition has less to do with a theatre’s actual location than with its seating capacity. In fact, you’ll find very few “Broadway” theatres with an actual Broadway address. (Since you asked, the four Broadway houses that are “on Broadway” are the aptly named Broadway Theatre, the Marquis, the Palace, and the Winter Garden).

A Broadway theatre has at least 500 seats. An Off Broadway theatre has between 100 and 499 seats. (Any venue with 99 or fewer seats is classified as Off Off Broadway). Almost all official Broadway theatres are located between 41st and 54th Streets, east and west of Broadway. One exception: Lincoln Center’s Vivian Beaumont, way up on West 65th Street.

The largest Broadway house, with 1938 seats, is the Lyric (formerly the Foxwoods, Hilton, and Ford) on 42nd Street. The honor of smallest Broadway house goes to the Helen Hayes (formerly the Little Theatre) on 44th Street, with 597 seats.

What are some notable Off Broadway theatre venues? Here are five well worth a visit:

Laura Pels Theatre (111 W. 46th St.). Part of the prestigious not-for-profit Roundabout Theatre company (which also produces shows on Broadway at the American Airlines Theatre and Studio 54), the Pels presents top quality fare, often featuring star performers.

Currently showing: Indian Ink, by four-time Tony Award winner Tom Stoppard, starring Tony and Golden Globe winner Rosemary Harris and accomplished British actress Romola Garai. This is an engaging, romantic tale that spans two continents (India and Europe) and two eras (1930’s and 1980’s). Stoppard explores his favorite topics: art and relationships.

Playwrights Horizons (416 W. 42nd St.). Playwrights is a 43-year-old theatre company dedicated to the support and development of contemporary American playwrights, composers and lyricists. The Playwrights complex includes 2 theatres–the Main Stage and the Peter Jay Sharp Theatre.

Currently showing: Grand Concourse, by Heidi Schreck, a two-time Obie Award-winning actor. The play, set in a Bronx church soup kitchen, where “idealism and reality meet head on”.

Vineyard Theatre (108 E. 15th St.). The nonprofit Vineyard theatre has produced groundbreaking new plays and musicals for 30 years, including Paula Vogel’s How I Learned to Drive (1998 Pulitzer) and Edward Albee’s Three Tall Women (1994 Pulitzer). Several of its productions have transferred to Broadway, including Avenue Q and The Lyons with Linda Lavin.

Currently showing: Billy & Ray, by Mike Bencivenga, starring Vincent Kartheiser (TV’s “Mad Men”), Drew Gehling, Larry Pine (Broadway’s Casa Valentina), and Sophie von Haselberg (Bette Midler’s “Mini Me” daughter). Directed by Garry Marshall. The true story of how Billy Wilder and Raymond Chandler battled the Hollywood censors and each other to create the movie classic Double Indemnity.

Signature Theatre (480 W. 42nd St.). Founded in 1991 by James Houghton, Signature is the first theatre company to devote an entire season to the work of a single playwright. The organization recently moved into the gorgeous, Frank Gehry-designed Pershing Square Center, which features three performance spaces connected by a central lobby and café. Every seat during a show’s initial run costs only $25.

Currently showing: Our Lady of Kibeho, by current playwright-in-residence Katori Hall. The play tells the story of how a young Rwandan school girl’s visions of the Virgin Mary affects her school and village.

Coming soon: A Particle of Dread (The Oedipus Variations), by former Signature playwright-in-residence Sam Shepard—a modern-day take on Oedipus Rex.

The Lucille Lortel Theatre (121 Christopher St.). Formerly the Theatre de Lys, this intimate Greenwich Village theatre was renamed for actress/producer Lortel in 1981. Her portrait graces the lobby. The Lortel presents works staged by various non-profit theatre companies.

Currently showing: MCC Theatre’s Punk Rock, by Simon Stephens (he also wrote Broadway’s The Curious Incident of the Dog in the Night-Time). Set in a private school outside of Manchester, England, the play is based on Stephens’ own experiences as a school teacher. The play is described as “an honest and unnerving chronicle of contemporary adolescence at the breaking point.”

I hope you’ll start exploring the wonderful world that lies just Off Broadway. I promise you’ll discover a treasure trove of insightful, professional productions—and since ticket prices Off Broadway are generally much more modest than those for Broadway productions—you’ll save a bundle while enjoying excellent theatre.

Click here for a comprehensive list of links to Off Broadway theatre.

You can find a comprehensive listing of Broadway shows, along with discount information and reviews, at Broadway Helper.